You're the One is an American sitcom that aired from April 19 until May 3, 1998.

A girl running from her past has a one-night stand with a guy who's stuck in his ways, only to wake up the next morning to discover they are forced to live together due to a nation-wide state of emergency.

Narcissistic, brash, and self-destructive Jimmy Shive-Overly thinks all relationships are doomed. Cynical, people-pleasing, and stubborn Gretchen Cutler knows that relationships aren't for her. So when they meet at a wedding, it's only natural that the two of them go home together.

Tommy, who has been unemployed and has been employed after a long time, goes on a date with his girlfriend before he goes to work for the first time, and also bumps into the mill together. Tommy comes home with a lot of disgusting jokes about his girlfriend and wakes up with a man he's never seen before... He ran to Ji-hyeon from dawn, but Ji-hyeon tells him to leave before reporting. How will Tommy deal with this absurd situation...

A group of young people arrive to a mysterious little town to shoot a horror video at a house where a couple has also taken shelter. But the house will not be the only thing that unites them... Fatima, The Collector, gives Joana and Margarida a tuning fork and a flashlight, objects that push them towards a terrifying fate, unleashing paranormal events that will set their past mistakes right. The inexplicable and the supernatural will test their limits, with the destiny of each one of them marked by what they left behind.

When Lt. John Harkness is assigned as the new skipper of a submarine chaser equipped with an experimental steam engine, he hopes that the U.S.S. Teakettle's veterans will afford him enough help to accomplish the ship's goals. Unfortunately, he finds the crew and its officers share his novice status or only have experience in diesel engines.

A sheriff's deputy fights an alternate universe version of himself who grows stronger with each alternate self he kills.

The project is billed as “a nightmarish horror about the romantic and psychological warfare waged by our beloved popular entertainment — and also begs the question… are we, the viewers, complicit?”

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